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"You've got to make butterflies of the wire-loops, you know, to hold the clay up, or it'll slump down off the iron headpiece soon as you get your head set up," explained her instructor in an agreeable tone. "It's easier to set up a head than a figure, I can tell you——",

"I haven't had my criticism yet, and if I don't get it next pose, you'll have to go to the station without me," said Elinor to the other two girls as she met them in the corridor the next morning. "Mr. Benton's awfully slow, but I can't miss this first criticism, you know.",

"So am I," rejoined Maurice, promptly. "All the same, you can hardly expect me to give up to David the girl I love, and who loves me. But why does Mrs. Dallas support David's suit?",

However, he did not say anything further at the moment, but walked beside Isabella toward The Wigwam. Behind them Maurice strolled slowly, fuming and fretting at the attitude assumed by Etwald by the side of Isabella. She cast a backward glance at his frowning face, and to avert possible trouble she began hastily to question the doctor about the strange conduct of Dido.

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"What!" cried Jen, jumping up, "did Dido accuse your mother of the crime?",

"Do you really want to go?" asked Patricia, beaming. "The modeling room's open, and you can always see the antique.",

"Can't be certain, of course, but I have my doubts," replied Griffin, in the same pitch. "I think that I recognized the silvery tones of a fair one who is not too far away from us," and she glanced significantly across the table to where Doris Leighton sat with the candle-light shining in her bright hair and a little smile curving her pink lips.,

Elinor smiled and her shining eyes traveled down the wide dim corridor with its rows of battered gray lockers, past the confusion of chairs and easels that clustered around the big screen of the composition room, straight into the farthest nook of the great bare work rooms beyond, where an array of heroic-sized white casts loomed conspicuous in the cold north light above the clutter of easels, stools and drawing-boards that encompassed the silent, intent workers.